Thursday, August 28, 2008 |
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Column 187: A Cover Story; NYC bound; your weekend ahead...
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This column rides out a riff that I began a week or so ago when I reviewed Brad Hoshaw's solo set at Lauritzen Gardens. It got me thinking about cover songs and what goes into an artist's decision to cover a specific song, and how ultimately stupid it is for anyone other than the artist him/herself to suggest a cover song for him/her to perform.
Still, someday, maybe? Come on, Brad. As you read this I'm sitting in a jet flying to NYC for the weekend where I'll be enjoying the U.S. Open, The Yankees, maybe something on Broadway, maybe a show on the Lower East Side. You'll be here, enjoying a fine 3-day weekend of music. Here's what's going on: Thursday night (tonight!) Fromanhole plays at The Barley St. with The Lepers. It's probably free, so you can't beat the price. Start off your weekend a day early. Friday night's marquee show is, of course, UUVVWWZ (read about 'em here) with The Show Is the Rainbow and Stolen Kisses at Slowdown Jr. The only thing I regret about this NYC trip is missing this show. It starts at 9 and costs $7. Also Friday night, a loaded bill at The Waiting Room featuring Techlepathy, Ladyfinger, The Stay Awake, Perry H. Matthews and Private Dancer -- amazing line-up. $7, 9 p.m. Over at PS Collective, Panang featuring Orenda Fink plays with Outlaw Con Bandana, $5, 10 p.m. O'Leaver's has The Dinks, Imperial Battlesnake and Droids Attack, $5, 9:30 p.m. (be sure you check out Workers, now open, with a tasty Italian Beef sandwich and damn fine hotdogs (get 'em early, they ran out last Saturday night before they closed). One last show worth mentioning: Over at The Saddle Creek Bar (and Grill) New York band Your 33 Black Angels is playing with The Clincher and a third band. $5, 9 p.m. Saturday, the Saddle Creek Bar (and Grill) is hosting Laborpalooza featuring 15 bands playing outdoors (2 to 10 p.m.) and indoors (9 to 1 a.m.) Cover is $7 for the whole day. Saturday night it's Fortnight at O'Leaver's with Landing on the Moon and The Dark Circles, $5, 9:30 p.m. Meanwhile, down at Slowdown, it's a battle of the tribute/cover bands featuring The Song Remains the Same and Secret Weapon. $8, 9 p.m. Sunday afternoon, Eagle*Seagull performs at Heartland of America Park as part of the 2008 Walk for Inclusion. Registration and other event information is available here. E*S performs at 3:45. Check back over the next few days. There may be an update from the road. Maybe. Maybe not. --Got comments? Post 'em here.-- |
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posted by Tim at 3:51 AM |
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Wednesday, August 27, 2008 |
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UUVVWWZ discusses tour, narcs, vomit; Girl Drink Drunk tonight...
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Just posted, an interview with UUVVWWZ's Teal Gardner (read it here). The band's new album is my favorite local release so far this year (and that includes Saddle Creek and all its affiliated bands). Too bad I can't buy a copy (I have digital files) because Antiquarium and Drastic are both out of stock and have been for awhile. I'm told that they'll be restocked Friday. And you'll also be able to buy this vinyl-only treasure at the UUVVWWZ show Friday night at Slowdown, which I highly recommend you attend. I'd be there, but I’m leaving town tomorrow for Manhattan, where I'll be cooling my heels through the weekend (just like when I went out there in April, if any of you have any restaurant / record store / fun-things-to-do suggestions while I'm in NYC, email them to me. You really came through last time.). Anyway, go read the UUVVWWZ story, where Teal reflects romantically about the band's recent tour that included a brush with a narc squad, a naked drummer, NYC hipsters and projectile vomit. After Slowdown, the band is headed to Minneapolis and Des Moines for a couple shows with The Show Is the Rainbow (who's also playing at Slowdown Friday). Their next local gigs won't be until Sept. 19 (Box Awesome for Lincoln Calling) and Sept. 24 (Knickerbockers with Helios Creed). Don't miss them. Tonight at The Waiting Room it's the return of Girl Drink Drunk -- Omaha's own version of shithook karaoke. The TWR and the band really are trying to get this thing off the ground, but they can't do it without your help. The show starts at 9 and is absolutely free. What else do you have to do tonight other than watch Bill's speech at the DNC convention? Look for this week's column online here sometime tomorrow, though I'm not sure when (Does the Minneapolis airport have free wi-fi? I doubt it.). There also may be site updates from NYC (if something happens music-related). Keep watching.--Got comments? Post 'em here.-- |
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posted by Tim at 10:30 AM |
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Tuesday, August 26, 2008 |
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The OWH and a matter of perspective…
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Interesting story in the OWH this morning about the perceived decline of Saddle Creek Records (read it here). The story is a reaction to Oberst going to Merge and The Faint self-releasing Faciinatiion, with the premise: "Without a strong Saddle Creek and its nationally lauded stable of groups, Omaha's musical skyline could look just like any midsized Midwest city." Really? The last time I checked, The Faint still had a studio near downtown Omaha and Oberst still owned a mansion in Fairacres. The bands haven't gone anywhere. The only member of Creek's big three to head for the hills (as in Beverly Hills) is Cursive's Tim Kasher, and I wouldn't be surprised if he ended up right back here. Creek is an important part of the Omaha music scene, but it certainly doesn't define it. Not when there are so many good, successful bands around here that aren't on that label. The key here is defining what "success" means. For whatever reason, the story didn't provide any sales numbers, which are an absolute must to give OWH readers some sort of perspective. Most people who are only familiar with pop FM radio music (i.e., the vast majority of OWH readers) assume "success" means a million-selling album. That's what they see on E! and Entertainment Tonight and MTV Cribs. Imagine how surprised they'd be if they realized that Saddle Creek has never produced a gold record. Not one. Not yet. Still, in the eyes of the indie music world, Creek is remarkably successful. I've said it a million times, I'm saying it again -- you could take every record that Saddle Creek ever sold and it wouldn't equal the sales of one Eminem album. Eminem (when he was still performing) sold out arenas. Most indie bands (and almost all local bands) live in a world where a successful show is selling out a 300- to 500-seat venue. A huge success is selling out the 1,400-capacity Sokol Auditorium. And the biggest success of all is being able to quit your day job and do music full-time. I have to believe technology has and will continue to have a bigger impact on Saddle Creek's financials than the loss of The Faint. It comes down to cash flow. How much money has Saddle Creek and every other record label lost due to downloading over the past five years? Forget about iTunes, I'm talking about stealing music right off the net. I continue to run into teen-agers and 20-somethings who tell me they don't buy CDs. They don't have to. Stealing music from the web has become common-place for a large segment of the next generation music "consumers." As for Omaha's reputation "waning a bit," no one expected the "New Seattle" designation to last forever or even this long. By the way, name the city that's taken Omaha's place on the New Seattle throne. Is there one? (And what about those recent SPIN and NYT articles lauding the city?) Finally, there's Creek's recent signings. Tokyo Police Club could replace The Faint as a member of the label's Big Three, especially on the heels of the Weezer tour (though Weezer has seen better days). Beyond TPC, well, I have no idea. Before Creek signed them, I never heard of Land of Talk or Sebastien Grainger (though I'd heard of Death from Above 1979). Time will tell if they can break through. Does Creek really expect these or any of their second-level acts to ever get as big as Bright Eyes? Yeah, it would be nice, but those days are probably gone. --Got comments? Post 'em here.-- |
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posted by Tim at 1:31 PM |
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Monday, August 25, 2008 |
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Live Review: The Faint...
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So packed were the streets around Sokol Saturday night that I wound up parking on 16th Street. The Underground apparently was hosting a metal show, while upstairs, where I was headed, it was The Faint's sold-out show. It was the biggest crowd I've ever seen in the auditorium, but I talked to a couple people who said they'd seen it even more crowded before. Maybe so, but I doubt that it's ever been steamier. The room felt like a sauna. I showed up at just before 11 after all the openers had finished their sets. Guys were pushing through the crowd shirtless, drenched in sweat, leaving slime marks whenever they brushed against your clothes. Like the Tilly show a few weeks ago, I was still getting used to the smoke-free environment. Without the smoke, the place smelled like hair products, popcorn and body odor. I didn't even try to get a beer; the crowd was so thick around the bar. Instead, I found a lean-to spot behind one of the large, industrial stand-up electric fans, figuring I'd get a breeze from the inflow while the fan pushed everyone else's stink-sweat in the other direction. The plan worked. Shortly after 11, the lights went down and on stage in a shower of blazing strobes came The Faint. And the crowd went wild. This despite the usual blown-out, over-bassed sound that turned everything into a bowel-rattling, boom-static mess. To be fair, I was standing beneath the balcony overhang -- the wrong place to be at any Sokol Auditorium show. Still, later when I did the cursory walk around the room, the sound was just as bad everywhere including by the sound board. It's a good thing Todd Fink has a voice that -- when powered by the usual special effects -- can cut right through the noise haze. I was told afterward by someone who has seen them at a number of different venues that Sokol really isn't an exception -- they apparently prefer their live sound to be unbelievably dense and throbbing, effectively blurring the lines that define their music. As disappointing as the sound was, the visuals were absolutely stellar. This was easily the best light and projection show I've seen by any band anywhere. The Faint have finally crafted a suite of visual effects that actually enhances -- rather than distracts from -- the overall show. The trick is the use of a monochromatic projection system fed with by a series of live cameras mounted somewhere on stage. On a curtain, huge duo-tone black-and-white projections of their live performance towered over the band like static images from the film 1984. At first I thought it was a pre-recorded video, until I realized the actions matched what the band was doing on stage. It was an enormous shadow-dance close-up of each performer interlaced with prerecorded graphic images. Add an array of multicolored computer-controlled digital strobes and it was easily the coolest thing I've ever seen The Faint or anyone else do on stage. Dazzling. The crushed dance-floor bounced for every classic Faint song, the fists rising in the air in unison. The songs from Faciinatiion, however, didn't fair as well -- but isn't that always the way for bands who are out supporting new material? Well, maybe. Still, the new stuff just didn’t seem as rocket-fueled as the old stuff, and fell somewhat flat when crushed between the old standards. Suddenly the biggest Faint punching bag -- Wet From Birth -- sounded cutting edge compared to Faciinatiion. It's going to make people stop and reconsider the album -- maybe it wasn't so bad after all (I never thought it was in the first place). So will we be saying the same thing about Faciinatiion in 2012 when the next Faint CD comes along? Hopefully I'll still be alive to find out. It turned out to be one of the longest Faint shows I've ever seen. As midnight rolled around the band finished its set and disappeared in back, presumably toweling off before the encore. I didn't stick around to see if they played the only song off the new album that I was dying to hear live, ''The Geeks Were Right." Instead, I started my long march up Martha Street back to my car. I got there in time to drive to O'Leaver's for last call. Closing out their set was The Lepers, who have switched from being a guitar-and-drum duo to a bass-and-drum duo, for a few numbers, anyway. The change was well-advised, and I'm looking forward to hearing how they pull it off on their new disc.--Got comments? Post 'em here.-- |
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posted by Tim at 5:53 PM |
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Saturday, August 23, 2008 |
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Mariofest details; Box Elders added to The Faint...
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Here's an update on Mariofest being held today at Mario's in Dundee (part of Dundee Day): The music starts at 6 p.m. with Outlaw Con Bandana, followed by sax-and-drum duo Kotchian & Pike. At 8 it's Shiver Shiver, followed by Satchel Grande at 9. Still no clue on what it'll cost to get in. Also, a reliable source told me yesterday that The Box Elders have been added to tonight's Faint show at Sokol Auditorium. Sounds like I'll be going after all. --Got comments? Post 'em here.-- |
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posted by Tim at 7:53 AM |
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Friday, August 22, 2008 |
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Live Review: Filter Kings/FortyTwenty, Faint/Oberst week two; Dundee Day Saturday...
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The crowd was only so-so last night at TWR, maybe 100 people? The biggest problem -- few if any were in the stage room during the performances. Most hung out in the back by the bar, which is a real drag, especially for this kind of music. Five or six women were grooving on the dance floor during the Filter Kings' set. The band's new music seems to skew even more toward country / rock-a-billy than I remember. Even so, I don't think you'll be seeing them at Bushwacker's anytime soon, though I'd love to see these two bands perform there. Maybe it was because they were stone sober or the fact that it was a benefit, but the Kings didn't seem as break-neck buck-wild burn-the-place-down as I remember them at earlier shows. I know bands don't appreciate this, but I like shows where there's a tension coming off the stage that fuels the unexpected. When it comes to the Filter Kings, that means sheer exuberant energy bordering on bar-room brawl. Broken beer bottles. Women dancing on tables. The Bob's Country Bunker scene from The Blues Brothers. That's hard for any band to pull off, especially when you're staring at an empty dance floor. I guess I should have helped things along by buying the band shots. That same languid crowd energy seeped into FortyTwenty's set. It was the first time I've seen these guys. They are unbelievably talented. They could go either way -- straight-up country or straight-up country rock. Terrific musicians with terrific voices. I tried to imagine how they'd sound in a packed, drunken, steaming-hot room. Maybe next time. * * * Here are the Week Two numbers for Oberst/Faint, provided once again by Homer's frontman Mike Fratt. Conor Oberst's solo album moved another 11,077 copies last week, good enough for No. 40 on the Billboard charts. Of those, 3,813 were digital downloads. The Faint sold 3,618 copies of Fasciinatiion, moving the album to No. 172 on Billboard. Digital downloads of Fasciinatiion weren't enough to chart, which means there were fewer than 1,300. Watch these numbers jump as the band continues to hit the road, including this Saturday at Sokol Auditorium. Anyone got a spare ticket? * * * Which brings us to the weekend. Tonight at The Waiting Room it's The Flobots with People Under the Stairs. This one sold out quite a while ago. 9 p.m. Also, Cloven Path and The Shanks are playing at The 49'r tonight. Saturday is Dundee Day. There will be the usual main stage set up across from the Dundee Dell featuring a slew of lame bands. Close your eyes and ears, walk past that noise, and go over to Dario's where Dariofest will be happening once again. I'm told the line-up will be Shiver Shiver, Outlaw Con Bandana, Satchel Grande and a fourth TBA band. Sure, it'll cost you something to get in, but both the music and the beer will be well worth it (and better than you're going to get a few paces away). I'm not sure when this gets off the ground. If I find out, I'll update this page. Saturday night is, of course, The Faint at Sokol Auditorium. Opening is Matador band Jaguar Love and Gengis Tron. Starts at 8. If I can get on the list, I'll give you a full report. For those of us without tickets, there's always O'Leaver's, where The Lepers are playing with Actors & Actresses, Bazooka Shootout and Giants. $5, 9:30 p.m. Indie band Fortnight (Ex-Park Ave member Jenn Bernard's band) is playing at hole-in-the-wall-in-the-basement Benson club Incognito, 7024 Maple St. (under the One Lounge, check out their myspace page). 9 p.m. and absolutely free.--Got comments? Post 'em here.-- |
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posted by Tim at 10:55 AM |
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Thursday, August 21, 2008 |
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Column 186 -- Music in a foreign language; Filter Kings, Forty Twenty for a worthy cause tonight...
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A friend of mine read this and said 'Dude, you're getting old,' missing the whole point of the column. Oh well...
Tonight there's a worthy benefit show at The Waiting Room featuring superstar acts Forty Twenty, The Filter Kings and Black Squirrels. The $10 at the door will go toward covering bartender Dave Syslo's medical bills for recent cancer surgery. We all understand how important it is to keep Omaha's best bartenders healthy and on their feet, which means I'll be seeing you at the show. 9 p.m. Wear scrubs. --Got comments? Post 'em here.-- |
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posted by Tim at 5:10 AM |
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Wednesday, August 20, 2008 |
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Live Review: Brad Hoshaw; those CD reviews...
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It was a warm, perfect summer evening at Lauritzen Gardens last night. Their makeshift stage is a patio behind the main building where a two-peaked white tent sheltered Brad Hoshaw from the setting sun. Brad looked like a grizz hunter with a guitar, playing solo acoustic in front of 300 or do picnic-ers sitting in the grass eating grapes and cheese, wine and PBR. The PA sounded remarkably good; so did Hoshaw though his set was back-loaded with a few too many slow, somber numbers, which Brad is known for but tell that to the nearby 2-year-old twins who were getting restless. After 45 minutes, I began to regret not bringing a picnic basket -- the smell of nearby grub was killing us. Fink came out to sing a duet that Hoshaw said he wrote for her a couple years ago. It was a pretty song that falls nicely within the Hoshaw canon, with a chorus that went "That was so long ago/Now we're growing old/The kids are stealing our rock and roll." Brad played for at least an hour and included covers by both Kyle Harvey (the one he always plays) and Twilight Singers (something I hadn't heard before and though I like Twilight Singers, if you don't have the initials GD it's going to be a real rollercoaster ride). We contemplated what song we'd like to hear Hoshaw cover, and it was my cohort who came up with the perfect tune -- "Please Come to Boston" by Dave Loggins, a song that we both love but that were sure Hoshaw would never sing because he'd think that it's "not cool enough." Ah, but he'd be wrong. The evening turned out to be more of a Hoshaw showcase than Orenda showcase due to timing. At 7:15 the organizers were still fiddledicking around with sound and staging, and I knew we weren't going to make it through even half of her set. Finally, Orenda came on at 7:25 (the concert, which started at 6, was scheduled to end at 8), accompanied by Art in Manila bandmate Adrianne Verhoeven. We made it through three songs before hunger got the best of us. By then about a third of the crowd had left, including a few that were probably headed to CB for My Morning Jacket at Stir Cove. Overall, a nice night, though we should have brought food along... * * * I told you the Reader was going to launch their CD reviews this week, and here they are -- with the first batch written by me. The plan is to have all of the Reader Music All Stars contribute reviews in the coming weeks (I'm told they'll run monthly until the Reader gets its scheduling act together, and then they'll run more frequently). Unlike Lazy-i reviews, these will be rated on a five-star system vs. the usual yes/no rating, which seemed too draconian for The Reader. That said, all five of these albums would get "yes" ratings.
--Got comments? Post 'em here.-- |
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posted by Tim at 5:30 AM |
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Monday, August 18, 2008 |
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Live Review: Domestica; Orenda/Hoshaw in the Garden Tuesday night...
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O'Leaver's beer garden is deceptively large compared to how it looks from the parking lot. You can easily get 30 or 40 people out there if you stand them up and lean them against the railing. It's so inviting that there were more people outside drinking and smoking than were inside Saturday night while the bands played. Opening was The Third Men, sounding solid despite having not performed in months.� Domestica were their usual amazing selves, playing all the hits including songs off their new Mommyhead 7-inch (pressed on luscious orange vinyl, available from Speed! Nebraska Records). There's not much more to say about their performance other than Jon Taylor could have turned his amps up louder (He finally did at the end of the set). I don't remember seeing the old Mercy Rule floor-floodlights the last time they played. It's good to see them back, illuminating Jon, Heidi and Boz like a trio of rock 'n' roll ghosts.� In other O'Leaver's news, I'm told that Worker's, Chris Machmuller's new sandwich shop located right next door to the bar, is slated to open today. I'm also told the weekend hours could be as late as 2 a.m., meaning that I'll no longer have to drive through Taco Johns for grub after the bar closes. *** Also Tuesday night, it's Reagan Roeder, Tomato a Day and Tina Sparkle at O'Leaver's. $5, 9:30 p.m. And yes, I didn't forget, My Morning Jacket plays Tuesday night at Stir Concert Cove. 7:30, $26. I doubt the show will exceed their performance at Sokol Underground in May 2004. Still, this has all the makings of being one of the best shows of the year. --Got comments? Post 'em here.-- |
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posted by Tim at 8:11 PM |
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Friday, August 15, 2008 |
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Thunder Power(!!!), Coffin Killers tonight; Domestica, Peace Center benefit tomorrow…
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So this is how it goes for the weekend: Tonight at Slowdown Jr., it's the Thunder Power!!! CD release show. I don't know if I ever talked to Thunder Power!!! before, but if I had, I would have asked why the three exclamation points at the end of their name. Boastful? Not if you really have "thunder power." TP!!! is one of those local bands that completely reinvented itself from about a year (or more) ago, adding a vocalist that sounds like Chan Marshall meets Opal Sandoval -- nice. The CD being celebrated is actually an EP titled Love Yourself, and to help facilitate you young-'uns, TP!!! has a notary in the band who can witness the required permission-slip signing by your parents, needed for pre-18ers to attend all-ages shows at The Slowdown. Is having a notary in your band the beginning of a trend? Opening is DC's These United States, Omaha mega-combo Midwest Dilemma and sweet musings of Honeybee. 9 p.m., $5. Meanwhile, if you prefer something a bit more rough and angry, SST-flavored punk band The Coffin Killers are playing at The 49'r with School of Arms and The Matador. $5, 9 p.m. Two hot shows tomorrow night (Saturday): Over at The Waiting Room it's the Peace Center benefit featuring Baby Walrus, Orenda Fink, McCarthy Trenching, Outlaw Con Bandana, Bill Hoover, Simon Joyner, Bear Country and the Watch. Every penny of the $10 cover will go toward the Peace Center, which eventually will direct military members and their families to the YWCA Omaha for free, confidential treatment for post-traumatic stress disorder. Get the details at the OWH (here). This one starts early -- 7 p.m. Later Saturday night (at around 9:30) at O'Leaver's it's the return of Lincoln's Domestica and The Third Men. $5, 9 p.m. See you there.--Got comments? Post 'em here.-- |
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posted by Tim at 5:28 AM |
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Thursday, August 14, 2008 |
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Blue Scholars tonight...
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Blue Scholars is playing tonight at The Waiting Room. I bring it up only because they're one of my favorite touring indie hip-hop acts. I'm painfully discerning when it comes to hip-hop. There are only a handful of hip-hop recordings that I have in my collection. Beyond the usual staples (NWA, Public Enemy, Beasties) there's Danger Mouse, Evil Tambourines and a slew of Blue Scholars CDs. I know nothing about the rest of the bill, which includes headliner Hieroglyphics, Musab, Tonya Morgan and Knowbody. 9 p.m. $15. Also tonight, classic '90s Omaha punk band Cordial Spew opens for Red City Radio and Bent Left at The Saddle Creek Bar. 9 p.m., free. --Got comments? Post 'em here.-- |
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posted by Tim at 5:49 AM |
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Wednesday, August 13, 2008 |
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Conor Oberst charts at No. 15, The Faint at No. 45; Column 185 -- Reviews return; Deleted Scenes tonight...
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So how did Conor Oberst and The Faint do in their first week's sales of their new albums? Here's the skinny by way of Homer's General Manager Mike Fratt: Conor Oberst's self-titled album sold 28,546 copies last week, plus 354 copies prior to street date for a total of 28,918 copies. That's good enough for the album to chart at No. 15 on Billboard. Conor Oberst also was the No. 3 best-selling download on iTunes, moving 9,941 digital units. The Faint's Fasciinatiion sold 11,333 last week, plus 222 copies before street date for a total of 11,584 copies -- good enough to claim the No. 45 position on the Billboard charts. Fasciinatiion also was the No. 15 best-selling download on iTunes, moving 3,250 digital units. FYI, digital downloads are included in the overall total sales number. Thanks again to Mr. Fratt for the data. Overall, an impressive first week by both artists. I think you could see both albums continue to climb the charts, but especially Fasciinatiion, which has had less pre-release media attention, and is only now getting the notice it deserves. This week's column combined info about The Reader's introduction of CD reviews next week with Monday's blog-entry review of the Shiver Shiver show. Here's the stuff you haven’t seen yet.
Tonight at Slowdown Jr. Washington/Brooklyn indie-rockers Deleted Scenes plays with local walking muppets Talkin' Mountain, Hyannis and White Elephant Gift Exchange. What I've heard on the DS myspace is mighty good. $6, 9 p.m. --Got comments? Post 'em here.-- |
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posted by Tim at 10:21 AM |
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Monday, August 11, 2008 |
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Live Review: Shiver Shiver; Oberst at #37 in UK, 2010 until Bright Eyes returns?
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I've commented to a few people who hang out at Slowdown that the venue's small stage -- a.k.a. Slowdown Jr. -- has all the makings of the perfect jazz club. Actually, Slowdown's bar vibe -- all black tile and shiny surfaces, exposed ceiling and dark, ambient lighting -- doesn't feel so much like punk/indie as much as urban hip (as in an NYC club). Maybe it’s the tables with the glass votive candleholders or the intimate stage with its glimmering, pristine sound. I don't know. I also don’t know if Omaha even has a viable jazz scene these days. I know its history (I've interviewed the late Preston Love a few times), but other than the antiseptic Jazz on the Green muzak festival, I'm not aware of anything going on around town. I say all this as a lead-up to last Saturday night's Shiver Shiver CD release show at Slowdown Jr. SS, to me, isn't so much a rock band as a hybrid of pop and smooth jazz, not so much Steely Dan as Bob James with Squeeze, Ben Folds and Todd Rundgren thrown in. As I said last week, I'd heard the band perform twice -- at O'Leaver's and at "Dario-fest" -- and neither performance captured the essence of their recordings. Last Saturday night's show did, thanks to Slowdown's jazzy vibe and state-of-the-art sound system. The two-piece of Jordan Elsberry and Chase Thornburg glided through a set of songs off their new album, Soulless Sex Appeal, with the casualness of seasoned road veterans playing yet another gig. Drummer Thornburg is a jazzy Max Weinberg, just an amazing guy on the skins. But it's Elsberry who plays the role of frontman. Looking like a bespectacled Adam Samberg standing behind a pair of keyboards in faux Armani (actually, both wore suits), he got the crowd of 100 or so grooving with his bouncing keys and swarthy vocals. As one member of one of the city's more popular Creek-related bands said from the side of the stage, no one around town is doing anything like this. They've got the market to themselves playing a style of music that has a universal appeal (certainly more so than Slowdown's usual bands). Now we'll see if they do anything with it, as in hit the road and make a name for themselves outside of Nebraska. They certainly have the chops to do it… I couldn't let the evening get away without dropping by The Saddle Creek Bar for the Big Al 1-year anniversary show. I only caught the last few minutes of the Filter King's roaring set before they packed up and headed off to The Niner for yet another show. Big Al and Metal Barbie ripped into the same set of home-made metal standards (with the volume turned to 11) that they played a year ago. including "Oregano," "It's War You Die" "Cold Hard Steel" and all the rest, along with a second helping of "Oregano" just before 1 a.m. Now it's onto year two, which one hopes will bring with it some new material… * * * Billboard reports that Conor Oberst's self-titled solo CD debuted at No. 37 on the UK album charts, where it's competing with the likes of Coldplay, Abba and Rihanna. So how well did it do on the U.S. charts? We'll have to wait and see. For what it's worth, the album currently stands at No. 6 on the iTunes download chart, fueled in part by a massive feature in last Friday's New York Times by Jon Pareles (here). An interesting scheduling comment at the end of the piece: Pareles said Oberst had a year of work lined up outside of Bright Eyes, what with a solo tour that will last well into next year and a new record with M. Ward and Jim James (There's no word what label that'll be released on). If that's the case, don't expect another Bright Eyes album until 2010, maybe longer... In other Saddle Creek news, DCist reported last week (here) that Georgie James, one of the Creek's more recent signings (May 2007) called it quits. Look for solo efforts by both members in the near future. --Got comments? Post 'em here.-- |
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posted by Tim at 6:33 PM |
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Friday, August 08, 2008 |
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Live Review: Tilly and the Wall; Shiver Shiver Saturday...
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Chatting with one of the security guys at the Tilly and the Wall show last night, we talked about why they didn't just have the show at Slowdown -- a natural size-step up from TWR, where they last played. I figured the reason had something to do with the city's new all-ages policy, which wouldn't apply to Sokol. But this guy pointed out that there weren't that many in the crowd under 18, which reminded me that Tilly has been around for seven years, under-age listeners who followed the band from way back when would be well over 18 years old by now. In the end, the Sokol decision probably was based on crowd-size expectations, and as per usual the promoter (and the band) were right. The draw was around 700, according to the promoter -- a nice-sized crowd, but far from the 1,400 needed for a sell out. To help fill the main ballroom, the balcony was closed (though a few people still got up there somehow). * * * --Got comments? Post 'em here.-- |
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posted by Tim at 11:05 AM |
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Thursday, August 07, 2008 |
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Tilly and the Wall tonight; Conor on Leno last night...
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Tonight at Sokol Auditorium it's Tilly and the Wall with The Ruby Suns and Go Motion. 8 p.m., $13. This morning I was discussing whether this show will sell out. One guy said he thought it was a sure bet. I'm doubtful. The last time Tilly played in Omaha was at The Waiting Room in March. I can't remember if that sold out or not. Other than that, they did a show last year at Sokol Underground, as well as a shows opening for The Faint, Rilo Kiley and Bright Eyes at Sokol Auditorium over the past couple years. There's no question that Tilly's popularity continues to grow (Their new album is No. 16 on the CMJ radio charts, right under Conor Oberst's), but selling out the 1,400-capacity Sokol Aud? Hmmm... We'll see tonight. And speaking of Oberst, he and his Mystic Valley Band played on The Tonight Show with Jay Leno last night. Oberst and crew came on at the end of the show after Jack Black and the winner of the Pillsbury Bake-Off. I thought they might do "Souled Out!!!" Instead they did a rollicking version of "Get Well Cards" that sounded surprisingly good for a live network broadcast. Overall, a very straight-forward performance. Now when is The Faint going to get on Letterman? --Got comments? Post 'em here.-- |
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posted by Tim at 10:49 AM |
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Wednesday, August 06, 2008 |
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Column 184 -- Faint watermarks; Darla Farmer, Midwest Dilemma tonight...
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The Faint reviews are starting to trickle in. Pitchfork posted theirs this morning (the usual 6.0 range reserved for all Nebraska acts, except for Oberst, who broken into the 7's). The number of reviews for Fasciinatiion has been nothing near what Oberst has been getting, but what did I expect? Oberst puts out an album a year with Bright Eyes. The Faint hasn't released anything in four years. There's also the issue described below, but it probably didn't impact anyone but me. I've still only listened to the CD only once all the way through -- not enough to form a real opinion about it. I can't listen to it at work, in my car, at the gym, at the grocery store, really nowhere but in front of my home stereo… Another impact of watermarking -- this time on Joe Consumer: You don't want to buy a watermarked promo from the "used" bins at your favorite local record store, not with all the compatibility issues (It's very unlikely that a watermark would end up in a used bin anyway, for reasons described below). With the advent of watermarking and digital services, there will be fewer promo CDs in the used bins in the future. Hey, they're not supposed to be there in the first place. Writers/critics aren't supposed to sell their promo discs (but all of them do, eventually).
Nashville circus-indie-spazz-cabaret-muppet rockers Darla Farmer, whose record Rewiring the Electric Forest was recorded at ARC Studio and came out on Eagle*Seagull's old label, are playing tonight at The Waiting Room with mega-ensemble Midwest Dilemma (boasting flute, clarinet, tuba, violin, cello, upright bass, pedal steel, percussion, les paul, martin acoustic and vocals). Opening is Where Astronauts Go to Hide and The Audrye Sessions. $7, 9 p.m. --Got comments? Post 'em here.-- |
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posted by Tim at 10:46 AM |
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Tuesday, August 05, 2008 |
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Conor Oberst, The Faint drop day...
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I just counted and there is something like, what, 1,000 reviews of the new Conor Oberst solo CD, which hit the store shelves today (sort through them all here). Taken as a whole, the average rating has been 3.5 stars or B+. The critics like it, and they like Oberst, who's also done a shit-ton of press in support of this release. My take after listening to it for the past few weeks: It's not dramatically different than what you've heard from Bright Eyes in the past, except for the much-needed stripped down production (and I think Oberst could take it down even further). While there's nothing as striking as, say, "Lua" or "Waste of Paint" or "I Must Belong Somewhere," the record still has its moments, including opener "Cape Canaveral," country stomper "I Don't Want to Die (in the Hospital)" and funky-hooked "Souled Out!!!" As a whole, it holds together as well as Wide Awake, and on a certain level, even better. It's gonna be huge... for Merge. Conversely, using Google News search, I've found considerably fewer (actually almost no) reviews of the new Faint CD, which also dropped today. I'm not sure why all the crickets, though I speculate on one possible reason in tomorrow's column... --Got comments? Post 'em here.-- |
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posted by Tim at 11:00 AM |
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Monday, August 04, 2008 |
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Live Review: Fromanhole, Life/Times, Little Brazil; OWH's Furthermore…. The Ergs tonight...
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Looks like all the press paid off. There were more than 100 people at last Friday night's Fromanhole CD release show at Slowdown Jr., enough that every table and booth was filled, with a sizable crowd standing in front of the stage. Fromanhole picked the right time to bring it -- they never sounded better, despite the fact that bassist/vocalist Doug Kiser sliced off a good chuck of his pointer finger on his left hand earlier in the day. This is the second time I've seen Doug play injured (the other was an O'Leaver's show where he again had injured one of his fingers). Maybe he should mutilate himself more often if it's going to result in this kind of bad-ass performance. The evening's pleasant surprise (for me, anyway) was The Life and Times, a KC band fronted by Shiner's Allen Epley. Prior to the show I had heard nary a note of the LNT's music, though right before they went on one of the local music scholars said, "You're gonna love 'em. They're heavily influenced by Swervedriver." Did they sound like Swervedriver? I don't know since I've never really followed Swervedriver. What we got was a gnashing set of trippy, melodic noise-core that reminded me of My Bloody Valentine -- just grinding, heavy rock that had moments of soaring beauty. Epley's voice is unique in a Cobain sort of way (though he sounds nothing like Cobain), one of those voices that makes you nod your head and think, "This guy is good." For a trio, LNT had an enormous, dense sound. With some luck, they could be the next big thing. They should be. Little Brazil unveiled a bunch of new material during their headlining set. I initially thought, "These guys really sound poppy these days," but then I listened to Tighten the Noose again over the weekend and rethought it. Drummer Oliver Morgan said after the set, "More poppy? We though we sounded more punky." I don’t think I'd use the term "punk" to describe their sound, however. To me, the new stuff is more melody-focused, with fewer tangents getting in the way. Landon Hedges' voice is amazing, just an amazing range. He's the Freddy Mercury of indie rock. I don't know how he's going to pull off those high notes after a few days on the road. Lots of warming up? Hot toddies? I thought Tighten the Noose was going to be the one to push them to that next level of national indie exposure. But it wasn't to be. If their next album captures the sound I heard Friday night -- and they tour as hard as they have in the past -- there's no reason for them not to emerge at the top of the CMJ charts. * * * Well, in last Saturday's edition, the Omaha World-Herald replied to my column from a couple weeks ago where I took them to task for taking The Good Life to task for voicing their support for the Democratic party (read my column here). My point was that the OWH should be encouraging freedom of speech and the First Amendment, not dreaming up ways (including financial penalties) to keep people from voicing a viewpoint that differs from theirs. In their 87-word response that appeared under the "Furthermore…" section of the Editorials page, the OWH said it "understood and contemplated the band's right to say what it wanted. That is free speech." It then went on to say that "critics" misunderstood the difference between free speech and speech free of consequences. "…The city and this newspaper have a right to criticize crudeness and contemplate incentives for better behavior." Incentives? I always thought incentives were benefits beyond basic compensation (a bonus, for example). In the OWH's eyes, compensation for work performed isn't part of an agreement or contract, it's an incentive. Odd way of doing business. Ah well, I have no interest in getting in a pissing war with the OWH. It's surprising that they even read the column in the first place. As is their policy, they didn't reference the source of the criticism (The Reader) or name the band involved. At least they didn't refer to me as a "local blogger " this time. * * *New Jersey punkers The Ergs play at O'Leaver's tonight with Hunchback and No Action. $5, 9:30 p.m. Over at The Waiting Room it's The A.K.A.'s with The Frantic. $8, 9 p.m. While over at Slowdown Jr. it's Wild Sweet Orchard with Skypiper and It's True. $8, 9 p.m. --Got comments? Post 'em here.-- |
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posted by Tim at 10:50 AM |
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Friday, August 01, 2008 |
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Fromanhole tonight…
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The boys from Fromanhole scored the triple crown of publicity for their CD release show tonight at Slowdown Jr.: They got a Niz feature in the OWH's Go! section (here), a "meet-the-band" interview conducted by former intern Brendan Walsh in the Omaha City Weekly (here) and, of course, a profile by yours truly in The Reader and Lazy-i.com (here). What more could they do to get people to come to this show? And then, in the end, Fromanhole isn't headlining -- in fact, they're not even playing third. Doug, Daryl and Roach will be playing second, which means they'll be on stage at around 10 p.m. So get down to Slowdown early and see the results of this media frenzy. Also on the bill are Nueva Vulcano (playing first), The Life and Times (Allen Epley of Shiner) and headliner Little Brazil. $7, 9 p.m. What else is going on this weekend? You tell me on the webboard… --Got comments? Post 'em here.-- |
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0 comments |
posted by Tim at 10:49 AM |
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