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The
Gloria Record
Start Here
The Arena Rock Recording Company
The
Gloria Record was formed in '97 out of the remains of what arguably
was one of the more influential late-'90s indie projects, a band
called Mineral. They released a couple records on Crank! before
this full-length, which is quite a departure from their rather subdued
EPs. Interviewed last year when the band was recording the tracks
at Lincoln, Nebraska's Presto! Studios with engineer/producer Mike
Mogis (Bright Eyes), bassist Jeremy Gomez said the CD was "basically
made up of 10 epic closers."
That's not a bad description.
Start Here takes withdrawn indie pop and builds it to massive
proportions, melding momentous and oftentimes plodding melodies
with gigantic arrangements that make you remember Chuck Heston as
Moses parting the Red Sea. If forced to compare it to anything,
Elliott comes to mind as well as (he says with a straight face)
Cave In -- two bands that have been known to try to create a sense
of imposing apocalypse with guitars and keyboards. Guitarist/vocalist
Chris Simpson's earnest, yearning moans bare a slight resemblance
both in style and substance to Toad the Wet Sprocket's Glen Phillips,
though most of the time, what he's singing is undecipherable.
The melodies are universally
pretty, almost always starting small, accompanied only by a keyboard
or guitar, before building over the course of six or seven minutes
to a juggernaut in ideal "epic closer" fashion. The perfect
example is "I Was Born in Omaha," where Simpson sings,
"I was born in Omaha / In my mother's tired arms"
(Those are the only words I can make out through the mumbling, and
there's no lyric sheet). The song starts with a simple acoustic
guitar then about halfway through its seven minutes a huge counter-melody
is introduced on electric guitar -- very cool, and reminds me a
little bit of how Red House Painters builds their epics.
Can the band sustain
it over 50 minutes? Almost. By track seven the ambient sheen begins
to wear thin, and you begin to yearn for just one strong melody
that you could sing along to. Look elsewhere. Like an orchestral
score, Start Here is all about setting a mood, bringing you
to the top of a mountain over and over again.
back to
Posted May 8, 2002. Copyright © 2002 Tim McMahan.
All rights reserved.
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Rating: Yes
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Obligatory pull-quote:
"Start
Here takes withdrawn indie pop and builds it to massive
proportions, melding momentous and oftentimes plodding melodies
with gigantic arrangements that make you remember Chuck Heston
as Moses parting the Red Sea." |
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