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The
Good Life
Help Wanted Nights
"Its very simplicity
is a lesson that his pal and label mate Conor Oberst could benefit
from."
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Maria
Taylor
Lynn Teeter Flower
"...While the
debut (11:11) was a strong beginning, this one takes her closer
to where she's headed, but doesn't quite get there, probably because
she still can't quite let go of her sepia-toned past."
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Eric
Bachmann
To the Races
"Bachmann's songs,
as stark and aching as they may be, are nothing less than purely
gorgeous, like all his friends up in the sky."
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Phosphorescent
Aw Come Aw Wry
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Bob
Mould
Body of Song
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Adam
Richman
Patience and Science
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Simone
White
Sincere Recording
Co. Presents Simone White
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XXX:
Music from Thinking XXX
various artists
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The
Great Depresssion
Unconscious Pilot
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Aloha
Here Comes Everyone
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The
Polyphonic Spree
Together We're Heavy
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The
Slats
Pick It Up
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Local
H
Whatever Happened to P.J. Soles?
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Wheat
Per Second... Every
Second
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Comets
on Fire
Blue Cathedral
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Tilly
and the Wall
Wild Like Chidren
|
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Owsley
Sunshine / The Tone Def Amigos
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Modest
Mouse
Good News for People Who Love Bad News
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The
Good Life
Lovers need Lawyers
|
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Sour
Deluxe
White Noise
|
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At
the Close of Every Day
zalig zijn de armen van geest
|
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Andy
Logan
Last Dance on the Wild Frontier
|
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Miss
Autopsy
Ruhr
|
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Humble
Gods
Born Free
|
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The
Kite-Eating Tree
Method: fail, Repeat...
|
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Centro-matic
Flashes and Cables
EP
|
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Hannah
Marcus
Desert Farmers
|
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Statistics
Leave Your Name
|
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Up
Up Down Down Left Right Left Right B A Start
Perris, CA
|
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Burgess
Shale
It's Never Enough,
Is It?
|
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Maxeen
s/t
|
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Consonant
Love and Affliction
|
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Guided
by Voices
Best of...
|
|
Fiel
Garvie
Leave Me Out of This
|
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Young
People
War Prayers
|
|
Miracle
of 86
Every Famous Last
Word
|
|
Amy
Blaschke
self-titled
|
|
Denison
Witmer
Recovered
|
|
A
People's History of
The Dismemberment Plan
various artists
|
|
Bronwyn
Through the Fog, Through
the Pines
|
|
Emily
Easterly
Cole
|
|
Azure
Ray
Hold On Love
|
|
David
Bowie
Reality
|
|
Bleu
Redhead
|
| Just
another reviews
page?
Probably... except that we
try to review the typical and not-so-typical (and just about anything else you
can think of). The emphasis is on Indie, but who knows what will pass through
this page? I sure don't... The rating system is
irresistibly simple. Recordings will be rated with a simple yes or no. You be
the judge of what it means. Watch this page for
new reviews. Most have appeared in The Omaha
Reader.
Keep
up with received, reviewed and not-reviewed CDs at the Review
Matrix -- all received CDs are checked-in and checked out.
Attn.:
bands, labels, promoters: Send promotional materials (CDs, one-sheets,
demos, etc.) to: Tim McMahan
www.lazy-i.com
|
Two
Gallants
Two Gallants
Rating: Yes
There's
a knock on Two Gallants, it's that all their music sounds the same.
It's an easy, lazy
statement to make. It's also easy to prove. Take someone who's never heard
the band before and play a typical track from The Throes, their
2004 debut on Alive Records. Follow that with a song from Where the
Toll Tells, their 2006 Saddle Creek Records debut, and one from this,
their new eponymously titled follow-up. Now ask your test subject how
the three vary musically and lyrically. First, they'll assume they all
came from the same album; next they'll ask (eagerly) if all their songs
sound like this. The answer, of course, is yes.
Like I said, it's an easy knock, and it's not fair, really. Two Gallants,
the San Francisco duo of singer/guitarist Adam Stephens and drummer Tyson
Vogel, have crafted a unique sound that feels like a cross between '60s
blues-rock, "The House of the Rising Sun" and modern-day pirate
songs. Stephens' craggy voice and rolling, picking' electric guitar bend
the music over Vogel's bright, almost militaristic syncopated marching-band
percussion. The result is a slice of turn-of-the-(20th)-Century Americana
merged with Delta blues and indie rock.
(continued)
Haven't had enough? Check
out the Reviews Archive featuring
reviews of releases by: - Liar's
Academy, Midwest Dilemma, The Lyndsay Diaries, Jim Jacobi, The Invisible Cities,
Namelessnumberheadman, Imperial Teen, Saul Zonana, The Bruces, Gone Out Gone,
Duke Fame, Hello from Waveland, The Wrens/Five Mod Four, The Ants, Zelienople,
Ravine, Jack Hayter, The Jupiter Project, Roman Evening, The Flaming Lips, All-Time
Quarterback, Pedro the Lion, The Movies, Faith Kleppinger, John DeGrazio, Man
Will Destroy Himself, Automatic Slim, Seafood, The Gloria Record, Cricket Rumor
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Enon, The Donner Party, Gimme Indie Rock, Death Cab for Cutie, Yo La Tengo, Pedro
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It or Nots, Those Bastard Souls, Supperbell Roundup, The Hellacopters, Hicky,
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Wheels, The Laces, Monostar, Ben Lee, Gardener, Nancy Wilson, Chuck Brodsky, Beth
Orton, UNKLE, They Might Be Giants, Einsturzend Neubauten, Looper, Damien Jurado,
Joe Henry, Knapsack, The Notwist, The Dismemberment Plan, Ultrababyfat, Splitsville,
Love & Rockets, Gomez, Hooverphonic, Burger/Ink, Son Volt, Silkworm, Possum
Dixon, Juliana Hatfield, Vitreous Humor, Catatonia, Getaway Cruiser, Pulp, Cornelius,
This Perfect Day, Brian Jonestown Massacre, Clever, Bedhead, Shipping News, Muler,
Liquor Giants, Tommy Keene, The Grifters, Tsunami, Chisel, Cobra Verde, Box, Modest
Mouse, The Connells, more...
Also
check out the Live Reviews Section, featuring
reviews of Omaha appearances by: - The
Warlocks / Little Brazil, Cursive, Examination of the.. , The Carsinogents, Califone
/ Sea and Cake, Low, Simon Joyner / The Mariannes / The Golden Age, Landon Hedges,
The Lepers, Mary Lou Lord, Interpol / Calla, Dave Dondero, Owen Mark Eitzel, Fizzle
Like a Flood, Desaparacidos, Sorry About Dresden, Spoon, The Good Life, 754-HERO,
Kinsgbury Manx, Azure Ray, The Jealous Sound, The Gloria Record, Sunshinte, The
Carsinogents, The Sound of Rails, At the Drive In, Murder City Devils, Cursive,
!!!, Tristeza, The Good Life, Bright Eyes, Her Space Holiday
Copyright 1998, 1999, 2000, 2001, 2002, 2003, 2004,
2005, 2006, 2007, 2008 Tim McMahan. All rights reserved.
Revised:
April 27, 2008
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