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Call
His Quiet Side Owen
story by tim mcmahan
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Lazy-i: November 19, 2002
Owen
w/ The Sound of Rails
Monday, Nov. 25
10p.m., $5
The 49'r
49th
& Dodge Sts.
Omaha
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Don't
go walking up to the performer known as Owen, who's playing at The
49'r Monday, Nov. 25, and call him Owen. Sure, he'll probably respond,
and he may even shake your hand. But his name isn't really Owen.
Owen
is Mike Kinsella, the driving force behind classic indie band American
Football and, with his brother Tim Kinsella, a handful of other
Chicago-based acts such as Cap'n Jazz, Joan of Arc and Owls.
On his latest CD, No
Good for No One Now, his second full-length on Polyvinyl Records,
Kinsella again puts the band aside and writes, produces and plays
everything by himself, recording all the tracks in his home studio.
His songs are lonely,
acoustic melodies that paint a picture of a guy who has been burned
a few times by the ladies and finds himself between lovers (as always),
trying to figure out how to get through another night alone. His
quiet, raspy whisper sounds world-weary and insecure when he sings
lines like, "What else in this room reminds me / Of the
relationship I've ruined? / The tables I've made / Strong enough
to hold your magazines / But not your tired legs." Weepy
stuff, sure, but Kinsella makes it work through sincerity and pretty
arrangements that recall Red House Painters and Kyle Fischer (who
he toured with last year).
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"I've
always loved the melodies of The Sundays and The Smiths," Kinsella
said. "And I was in a Red House Painters phase for about six
years of my life."
He said his songs are
about him or "those couple people very close to me. I don't
think I made anything up, but I might have projected a bit."
If there's any doubt,
when asked if he's happy and what would make him happier, Kinsella
responds forlornly, "There are too many things to list, most
of which are super personal things, like 'I would be happier if
things work out between Katie and this boy,' which really doesn't
mean much to anyone except me, you know?"
Yeah, the songs are definitely
about him.
Answering questions from
his mother's house prior to leaving on a short tour that will take
him through the Midwest to Portland and Seattle, Kinsella said playing
solo doesn't allow him to match the sound of his records. "It's
just me performing," he said. "I don't exactly recreate
what's on the record. Usually I'll do 'versions' of those songs,
changing the arrangements a bit to fit the different instrumentation,
or lack thereof."
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"I
don't blame people for not liking what I do or expect everyone
to respect it."
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"I
don't think I made anything up, but I might have projected
a bit."
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The
quiet nature of his music could get lost in a noisy bar, especially
a place as confined as The 49'r. Kinsella said he tries his best
to manage crowd noise. "If I'm playing somewhere and it feels
like there are a lot of people interested, then I'll say something
to the obnoxious people, like 'Hey, why don't you go to the back
and finish your conversation,'" he said. "But if I'm opening
up for some band and it seems like 'most' people don't care if I
were playing or not, then I'll just put up with it. I don't blame
people for not liking what I do or expect everyone to respect it,
but I think people should be respectful of the other people in the
audience who might."
It''s not such a problem
when he's playing drums with his brother in the more kinetic Joan
of Arc. Kinsella joked that he's been brothers with Tim "for
my whole life."
"We get along pretty
good," he said. "I think we're very similar in all of
the major character-defining traits. I see him a couple times a
week, probably, but that's going to increase quite a bit because
we're going to go on a tour together this spring with Joan of Arc."
The two acts, Owen and
Joan of Arc, are quite a contrast, and Kinsella says he's not married
to either style. "I guess (Owen) is just what's coming out
these days," he said. "Who knows what I'll want to be
doing in the future. I definitely have some urges to rock out sometimes."
Back to
Published in The Omaha Weekly Nov. 20, 2002. Copyright © 2002 Tim
McMahan. All rights reserved.
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