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Shinyville:
Cult of Personality
story by tim mcmahan
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Lazy-i: Aug. 23, 2006
Shinyville
w/ Gays in the Military, Plack Blague
Tuesday, Aug. 29, 9:30 p.m.
O'Leaver's
1322 So. Saddle Creek Rd.
$5
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I'm a tad
disappointed in Shinyville.
The Omaha/Lincoln
rock band's weird, science-fiction essence has all the elements
of a pseudo-cult centered on a futuristic ideology, zany costumes
and a quirky, indie-progressive sound.
So it's a
bit disappointing to discover that there's no sinister plan behind
their methods, even though they've gone out of their way to sell
their "cult" on the Internet.
Check out
the title bar at shinyville.com: "Looking for a new religion?
Try Shinyville-in-a-box!" it says. Their myspace page greets
you with "Welcome to Shinyville. Join the Cult," while
their "about" statement proclaims: "Shinyville
is a cult. Shinyville is a secret society. Shinyville is at once
apolitical and revolutionary. Shinyville is a formula for the
promotion of epilepsy, schizophrenia, and tripolar disorder. Shinyville
isn't an injection of counter-culture into your jugular."
That same statement is translated into Coptic symbols in the liner
notes of the band's new CD.
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Try
Googling "Shinyville" and you'll find shinyvilleisacult.com,
where a fictitious Gloria Hoffenberg states: "They are Lucifer's
work incarnate. God hates Shinyville. I know because I speak to Him
daily." The page goes on to list upcoming Shinyville gig dates.
Of course the band denies any connection to the site, just like they
deny that there's an over-arching cult concept behind the project.
"The lyrics
are character sketches," said frontman Scott Scholz, a.k.a.
Mr. PanTastic. "There are a few songs about cults, but it's
not really a specific concept."
"When people
come to our shows and see our videos, they think it's a narrative
and fill in the pieces," said drummer Brian Alt, a.k.a. Dr.
Tao Honeybunsen. "But people take a story out of it that isn't
100 percent intentional."
"If it
is a cult, it is what it is," Scholz added. "It would
be a pretty easy cult to join, but I wouldn't call it a cult."
Asked via e-mail
what exactly is the cult of Shinyville, guitarist Jaime O'Bradovich,
a.k.a. Pope-bot 2012, replied, "Just three guys and a video
iPod."
But deny it
all they want, Shinyville is more than just another local rock band
with a jonze for oddly progressive, experimental funk metal. Formed
in 2002 via another local cult called SLAMOmaha -- a Nebraska-based
arts and music website with over-active discussion boards -- the
trio merges art, ideology and sound in multi-media live performances
that border on cabaret. Stage antics include colorful plastic costumes,
video projection and a motivational speaker named Butch Fever who
pitches Shinyville as a self-improvement product. Weird? You bet.
"We all
have interests outside of music that we like to incorporate to make
the experience as full as possible," Scholz said. "There
are aspects that are slightly eclectic. The costumes seem to diffuse
the situation. If we're funny to look at, it doesn't have an art-school
pretension. It's fun and creative vs. weird and scary."
"Some people
really like it," Alt said. "Others are confused by it."
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"If
we're funny to look at, it doesn't have an art-school pretension.
It's fun and creative vs. weird and scary."
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"I
want my tone to be horrible; so horrible in fact that it doesn't
sound like a guitar."
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The
weirdness is encapsulated in the band's debut, No Sleep till
Babylon, just released on local avant-garde/experimental label
Public Eyesore. The 14-track CD combines Alt's intricate drum programming
(influenced by Aphex Twin) with synths and vocals by Scholz and
O'Bradovich's other-worldly guitar sounds.
"I'd rather
explore the possibilities of music composition using the guitar
and effects as a tool to do so, rather than just play some power
chords and worry about how good my tone is," said O'Bradovich,
who wrote "a good chunk" of the band's music. "I
want my tone to be horrible; so horrible in fact that it doesn't
sound like a guitar."
O'Bradovich
said he recently had a guitar made with a synth tone generator built
into it "so now I can make even more interesting sounds in
addition to the general effects pedals."
The result is
a distinctly modern version of rock not built around chords but
around intermixing melodies and hyperactive rhythms. Listeners are
mewed into thinking they're hearing traditional no-wave rock, until
the band turns its melodies slightly inward, creating purposely
odd and slightly disjointed, anxiety-driven counter-melodies that
are at once both conventional and quirky. Think of it as a combination
of latter-day XTC, Fripp-era King Crimson, Mike Patton and Beck.
Through it all,
Scholz croons lines about such topics as the Heaven's Gate cult,
Court TV and local rock musician/personality Darren Keen of The
Show Is the Rainbow. The thread that holds it together is an overriding
sense of alienation in a world of technology and consumerism. "Even
our name reflects a sense of technology and modernity in the face
of a town's values and ideologies," said Scholz, who writes
all the lyrics. "In that sense, there's a loose concept around
what we do."
The band will
take their show on the road for a couple two-week tours with fellow
Public Eyesore bands this fall. They have no aspirations of becoming
an arena band, only converting a few more "followers."
"I can't
see Shinyville becoming huge, but we'll keep going. Music is something
we have to do, it's part of who we are," said O'Bradovich.
"Having some CDs out with music we can be proud of is a huge,
rewarding step for us. Now we'll see if the masses wish to consume
it."
Back to
Published in The Omaha Reader Aug. 23, 2006.
Copyright © 2006 Tim McMahan. All rights reserved.
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